![]() ![]() The ruggedness of the language, the starkness of the imagery - Jeffers prowled like a lone wolf or, more accurately, a rangy coyote skirting the edge of civilization: hungry, suspicious, and angry. ![]() Still, meditating on death in a poem was one thing anticipating a lingering death in the distant future while still a young man, and building a room in which to die, was quite another.Īs I read through several more poems, the voice, at times, seemed almost feral. With neither dislike or desire rather with both, The bed seemed to be a fetish of sorts for him as he worked through his feelings about his own mortality. It wasn’t as though Jeffers had used death in a gratuitous manner it wasn’t a cheap, dramatic device. ![]() More than eerie - it was downright creepy. I picked up the book and, by chance, opened it to “The Bed by the Window.” It was an eerie poem. There was often some degree of awe or reverence ascribed to these occasions, but very little mentioned about the man himself. Noted authors and bohemian celebrities were always dropping in on Jeffers when passing through Carmel. I knew little about the man but kept bumping into him in other writers’ work. I had first read the poem while browsing a Jeffers anthology in a bookstore, a volume entitled The Wild God of the World. Many years later, he had indeed died in the room, thereby fulfilling its destiny. ![]() Robinson Jeffers, 1937 By Carl Van Vechten, via Wikimedia CommonsA chill rippled across my skin as I realized that we were standing in that very room and the bed before me was the subject of the poem - the death-bed in “The Bed by the Window.” Robinson Jeffers had written the poem as a young man shortly after building the house. ![]()
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